Wednesday, 16 October 2013

What can a comparative analysis of bio pics Walk The Line and Gia reveal about cinematic representations of women?



aim 1:
aim 2:
aim 3

What can a comparative analysis of Biopics Walk the line and Gia reveal about cinematic representations of women?

For this investigation I will be looking at two biopics that explore contrasting ways women are represented in my chosen texts. I will be applying Mulvey's theory of the 'Male Gaze', looking at the objectification and purity shown through the individual female characters paying particular attention to how they are both represented, differently but the same. The first film I will be looking at is based on the life of Johnny Cash, the period of time where male dominated roles of society started deteriorating after the end of World War 2; looking at close reference to the way the women were portrayed purely as objects and how their roles get transferred and transfused with the male's position and responsibilities how they became the figure of what women are to this day looking at close reference to how the world war changed that. [1]
 The second text I'll be looking at is a film called 'Gia' which is based on the life of popular model, Gia Allemend. The biopic portrays her animal characteristics and the rebellious behavior she introduced wide audiences to, portraying a counter stereotype of the female presence than the usual womanly characteristics from earlier 1900's. [2] Both women are shown differently throughout the two texts, but still consist of being objectified throughout the scenes. I will be comparing selected scenes and backing them up with deep analysis and exploration.


Aim 2: How are women presented differently through and from patriarchal societies?
Looking at my first text ‘Walk The Line’ the main role of J.R's wife is to be a mother, remaining at home looking after the property and doing housework as most women in the 1960's were expected to be doing. Prior to World War 2 lots of women were becoming more powerful from acquiring the male jobs whilst they were away, adapting and escaping their subordinate roles to be more than just a housewife. [3] The devalued society of women in the early 60’s was soon rendered with the first wave of feminism. Subjects against the political discussion said that a woman could either be a career woman or she could stay at home and have children. There was no way she could do both” [3] The role of Johnny’s wife conforms to the primary research through her archetype status, looking after the children whilst her husband takes on the business career. Introducing the role of June Carter, (a performing artist Johnny meets and falls in love with) her position contrasts with his wife’s career as an artist and her ability to travel around freely and unconditional. The two women show the roles of a mother and a woman with a career, the significant subordinate differences they are open to and the way they both conform to needing men even though the role of June is a much stronger character and defies to not needing Johnny throughout the film. From point of view tracking shots and close ups we begin to see June being opened up to the audience, she is rarely shown as being weak and her character isn’t exposed but the interaction with Johnny corrupts her and she begins to lack in concealment, she starts to become vulnerable and the camera focuses on her emotion and interactions with others, allowing the audience to allow her story and character as passive. One scene shows June Carter conforming to Johnny where he convinces her to come on his tour by bribing her with money for her children’s well being. The close up details and rigid hand held camera work makes the audience feel more involved with the characters. The desperation that Johnny prevails alongside close up camera shots of his eyes focused on June, the camera swapping to her from J.R’s level looking down on her. (TWO READINGS WORD?) This scene shows the two different readings of the passive audiences, conforming to their preferred characters. These kind of interactions engage and inform audiences on the lives of higher status people, previewing us with something that the ‘fans’ don’t usually see. This inside story creates a shared meaning for us as an audience enabling us to relate and feel empathy for June, from the way the male reacts and is strongly besotted with her.


-scene where Johnny asks her to stay on tour, convinces her? Conforms to him, sings and goes on tour
manages to turn her mind set into him.

Aim 3: How are women placed in stereotypical gender roles?
There are two prominent stereotypes of women in my first text, Johnny’s wife Vivian was left whilst her lover sends the cash she needs to live; thus showing the dependency house wives had on the male figure, making his role seem like a necessity.  Looking at the scene where Johnny phones Viv whilst she’s at home with the crying children, the camera uses close up shots and camera angles that overlook her body, showing the fragile position she’s in, capturing and streaming the point where she looks most vulnerable. The scene focusing on the incapability that she possesses, showing the audience that she has a lack of control without the male figure around. This scene allows the audience to make their own interpretations highlighting the build-up of emotions and vulnerability she’s in instead of showing the other 9/10 of her living where she is more capable.
June was first introduced to J.R when he listened to her on the radio as a young boy. His low status and love her music enabled him to look up to her as a role model with the high class and power she possessed at such a young age. This social difference shows the controversy of the change in representations from childhood to becoming a man. The preponderance of her position remained until J.R then grew up and became Cash and the authority and ‘power’ conveyed over to him. This is shown when June supports his headline act. [1]


Aim 2:  Different forms of female representation
throughout the text/Opposing forms of representation?
Looking at the second text the main character is Gia Allemend, the female protagonist. Her position has a variety of representations, the main one being her ability to be outgoing and using her sexuality to her advantage, the empowering character has the ability to control men with her appearance; in the resource ‘Miss Representation’ it says
The Male Media represents females in power trivially’ [4] The scene that she’s is presented this way is when a male enters a cafe she is working at and her she uses her ability to seductively control his actions and make him entranced by her with her language and looks. Her body language towards the male as she swings her legs and body of the bar to sit in front of him, holding his eye contact using the camera enhance tension in the scene by using close ups and using high camera positioned shots, looking down on the male from the counter to show her control over the situation. The scene also includes a two shot where the camera shows a mid length position and presents the two opposing characters face to face, this could involve Strauss’ theory exploring the binary opposition between the innocence and power; the male being shown as the innocence and Gia as the opposition, influencing and succumbing him to fulfill her desire. Gia’s characters is extremely objectified, applying Laura Mulvey’s theory of the male gaze that will engage the audience, making the extremity of her character turn passive with the familiarization of sexual behavior. Allemend’s character has unusual masculine qualities, her ability to overpower the male whilst still being objectified as such shows something different that's not usually expected and will corrupt the audience’s recognition and intrigue them more so, appealing to the male gaze.


[1] Walk The Line

[2] GIA

 [3] http://www.archives.gov/atlanta/education/resources-by-state/wwii-women.html

[4] Miss Representation – 2011


‘the socially constructed nature of sexual difference’ - (Harrison Ford) in Mike Nichols’ Working Girl (1988)

genre formulae-
challenge prevailing ideologies?

The usefulness of having predicted elements is that a communication will be understood because they’re expected (or conventional) in which people anticipate in certain situatuations or context.
Rhetorical sensitivity – it is a way of thinking about what should be said and then deciding a way to say it / how



(Unofficial not finished)



Notes~
-Mulvey theory
-Rebellion
-Cultivation theory (how people are influenced from them)
-Place and a time
‘it could be argued’
-messages are shaped – constructed?

Friday, 11 October 2013

Explore the ways in which your chosen texts reinforce or challenge typical representations of gender.

Explore the ways in which your chosen texts reinforce or challenge typical representations of gender.


In the film 'Sin City' there are a few contrasting representations of gender, exploring typical representations and some showing signs of the opposing gender. For my first example I'll be looking at the opening story in the first scene. The strong connotations of the red dress on the first woman we meet, immediately introducing us to Maulvey's male gaze. The male tell her 'You're everything a man could ever want' this is shown and evident by her body language and dialogue, showing her objectification as she takes the cigarette the male hands to her. This is typical of a women's representation in most Noir genre films from the previous genre conventions. The non digetic jazz music in the background compliments her movements, by playing the notes loud and striking, then hearing them drift off quietly, representing the woman. The contrasting digetic police sirens could represent the danger that is going to occur, (him). 

 

The next gender representation I'll be looking at is the females in the fight scene. There is a group of ten/fifteen women dressed in objectifying clothes all well trained and as tough a trained soldier. This is a contrast to the usual representation of women, unusually only portraying them to be mothers or innocent young girls and the men to be the strong, merciless ones but this is twist in the normality, gaining audience gratification. The women have a dominant role throughout the film, the representations of the prostitutes are far more deadly than other film scenes featuring the objectified women.



The final gender representation is the helpless child victim in one of the first scenes. One man loses his life saving the girl, (similar to the Malve scene where he loses his life trying to help Goldy) The girl is held hostile by the male. We then see near the end of the film where the child grows up and is working in a bar as a stripped for male based gratification. This is showing the audience that women are male dominated and that they maintain power through their sexuality and physicality the majority of the time. The main characteristics of women are either shown sexual, violent or criminals, common for a Comic book genre convention usually showing women to be the male's property or usually a strong sidekick, representing them both negatively and positively.


Notes: talk about women acting like men-young girl (weak)?-men in controll (opening scene)goldy having controll of maulve. The heart shaped bed showing  'she shivers in the wind like the last leaf on a dieing tree'Include some technical details (camera/lighting/sound)

Monday, 7 October 2013

Fish Tank - Scene analysis

For this analysis I will be looking at three advanced scenes from the Social realism film 'Fish Tank'.The first scene I'll be talking about is the Car scene.This scene is different from all of the other rural and raw footage from the majority of the film. The subjects involved for this scene is the mother, her two daughters (One just fifteen and the other a young child) and this new male figure who plays the role of the father. This scene shows the Connor ( the male ) to be the hero in regards to prop's theory, by the fact that he's came and rescued this family and shown them a different aspect of the world they know. The car journey is a form of escapism for the family, giving the audience gratification from the fact they know they all are experiencing an un-profound life which is something very unusual from what they're used to. All aspects of the Mise en scene present this part of the film to please the eye, the use of good weather, the digetic music coming from the car speakers and the characters singing along, the mid shot of slow motion to show the capture of the ideal perfect moment that Mia (15 year old girl) is experiencing. All these things make the audience aware of the current lift of mood and atmosphere. This scene shows the 'family' to be like an ordinary happy family, allowing you to forget for one scene about the way they all act towards each other really and truly under the surface of all the happiness portrayed.

Meeting The horseTracking shots of Mia were taking place for this scene. Skirting around the edges of the rural landscapes of this poverty filled area, showing the audience shots of the broken barbed fences and empty landscapes and creating a struck back scene as she walks off to a place she doesn't know. The hand held camera movement captured a white horse, and makes it look as though you're seeing through Mia's eyes. The close ups of the horse automatically give you the thoughts of Mia and create enigma codes for the audience as well as her, conjoining both the audience and Mia; the gratification audience will gain from this is the social integration and the insight gained after she enters the space of the horse and field owners. The tense close ups as she steps closer towards the horse, giving the audience something to hold onto and be intrigued by. The only sounds you hear are her footsteps and hush toned voice calming the horse as she begins to inspect it's chains. This scene shows her first bond between another subject, we don't see a bond anywhere else in the film apart from when Connor enters her life. The fact that no aggressive and un practical behaviour takes place let's the audience see a different side to Mia, making them understand her character more. The similarities she has to the animals, subtle signs signifying her care for them. (E.g the poster on the back of her door in her dismal and blank room.)This scene presents is a good additive to the social realism in the film, the similarities of the roped horse and the caravans in fields are very common and can be seen through our eyes regularly. 


Living room Urinating. 
After finding out Connor has a wife and child of his own Mia performs and uses animal characteristics, the way she takes deep breaths (panting) and taking what she doesn't know it's not hers to take (hunting). The moment she see's the child's toys scattered around the lounge, she's positioned crouching and then starts to urinate on the family room carpet. This could show her lack of care and thoughts or show the emotions she feels by the anger and distraught feeling it could of created. Her behaviour is also very male like by the way she moves and acts, taking a beer from the fridge (which is classed as a typical male drink) and the fact she smokes and drinks illegally. This opens up realms of jealously that could be at the back of her thoughts, the perfect life that is shown for Connor and the fact that he gained their approval and then left them for his original family shows anger towards him and an envious guilt towards the two women in Connor's life.

Friday, 27 September 2013

film analysis (Sean of the dead) - Todorov Theory

For this text i will be looking at the text 'Sean of the dead'. this is a rom com horror film Dawn of the Dead, released in 2004. 

Throughout equilibrium films they're are usually five stages of the equilibrium.
Applying Todorovs theory the film starts off in the unity, introducing the lives of the main characters and their everyday normal state. The relationships of the characters are disrupted but the film is still at a stable, calm state. This unity is then disrupted by the impact of a deadly disease that has entered the village but hasn't been fully recognised by the civilians. The main character acts as the protagonist and the recognition of the disruption has been found. With the unity of the people, they all come together with the scarce and threat they're under and all work together to try and get somewhere safe. With them all safe in one building, they go under attack again and they fight their way to save themselves. This is an attempt to repair the disruption, the protagonist tries to fight against them and save the group to resolve the issued events. The equilibrium is then restored and the film then goes back to the normality at the start, showing the unity even more so with their lives and connecting them together again with their scarred but restored lives in harmony again.

Wednesday, 25 September 2013

James Bond analysis

"http://www.youtube.com/watch?v=gdbIINpktOs"


  James Bond "Die another day"


The James Bond franchise is a clear example of film objectifying females and forcing the audience to view females via the male gaze. The scene within "Die another day"when bond meets the character Jinx demonstrates my previous statement by using the scripted dialogue that shows and uses the objectification.
First of all the clip opens up with a zooming in shot, making the audience perspective intwined with Bonds, the shot changes to vignette effect making it look as though we're looking through his eyes, allowing us to interpret the male gaze through Bond's view. The slow motion allows us to maintain eye contact with the subject for longer, making her an objectification by prolonging the camera watching her body. Bond's eyes scan her and the camera looks back at him showing enjoying her view, giving a sense of scopophilia. 
Her entrance to the scene as she leaves the water and uses body language to attract the audience makes her seem more desirable by the way she walks, using her hips swinging adding to the male's appeal. The scripted scene first uses objectified dialogue by Bond saying 'Magnificent view', the text left open to be interpreted from the male's view (meaning her). 
She shows confidence by not giving him too much eye contact but remains grinning, Bond offers her his drink and she accepts, applying the patriarchal society from the male in control. Immediately introducing herself, the two share a handshake this lets the audience know their partnership has began.
Bond says 'Too strong for you' which could be interpreted in two different views, meaning the drink or himself. The dialogue carries on with the split meanings and adding humour to the scenes for audience gratification. For e.g bond says 'I'm just here for the birds' then quickly holds up his binoculars and says  'anthropologist' but the audience know the inner humour, allowing the audience to be more connected with the character and film, gaining their approval more so.
Throughout their whole conversation bond is smoking a cigar, blowing the smoke out his mouth and what sometimes looks over towards the woman, he also takes the time inhaling whilst she's waiting for a response from him, showing that he has dominance over the dialogue, also showing her ability to wait so easily for him.

The camera angles vary from extreme close ups of the female, to dominant over the shoulder shots from Bond. The camera more than often tends to look down on the woman from bond's point of view, then looking up towards the male. This shows the camera enabling dominance towards the male with the greater height and the woman is smaller and being shown as less powerful. The use of focal blur on the women when the male is speaking again shows high authority, blocking the woman out but keeping her in the frame for visual purposes, but having the camera in focus on bond.

Friday, 20 September 2013

Sleeping beauty - Film trailer analysis

In this trailer, the main girl who is being portrayed as young but majestic is willing to give her body away to men as a job. This creates an early representation of the girl being innocent and weak whilst under another's command. The simplistic shots and calm music contrasts with the raw story line, using Strauss' theory from the way it is presented with the role she's playing is very opposing.

The women in the footage are shown to be over ruled by men, with the example footage at 0:30 with the male dragging the unwilling female to the car, this enigma code opens up questions to the audience, drawing them in and making them more intrigued as to where she is being taken.

The women are shown as sexualised objects by subtle connotations such as the red/black colouring that they always have on their bodies, whether its clothing, shoes or make-up. The blank expressions, subtle and nerving positionings of the girl put the audience on edge, making the audience already pity the young character.

However the profound female narrator playing the leading role of the job shows power and dominance over all the males and surrounding females. She maintains control throughout the whole of the scenes, this contrasts to the other girl's position being the complete opposite to the young one. This also relates to the binary opposition theory, showing the two opposing roles of the two women; the girl being presented as the weak and innocently connected one and the woman being shown as the leader, fulfilling a usual males position.